Print design & production.

Physical pieces designed to hold attention

Print creates a different kind of interaction. It invites people to pause, adds permanence, and gives a brand a physical presence that digital alone can’t replace. I focus on balancing concept, typography, and production knowledge to create pieces that feel intentional — whether you’re seeing them on a screen or holding them in your hand.

Custom Bell Helmets door hanger flyer featuring helmet photography, product technology details, and bold editorial-style typography — Designed a custom door hanger flyer for a multi-day Bell Helmets track day event, creating a more playful and unexpected attendee experience than traditional event collateral. The piece highlighted featured helmet technologies riders would be testing throughout the event while reinforcing Bell’s premium performance positioning through bold typography, product storytelling, and interactive format design.

Print branding collage for Covenant Home Services featuring layered typography, textured illustrations, and editorial-style composition — Developed a print-focused branding system for Covenant Home Services & Concierge used across direct mail, leave-behind collateral, and integrated marketing materials. The work combined layered typography, editorial composition, and handcrafted visual textures to create a more distinctive and approachable identity within the home services category.

Every print project starts with hierarchy and format. I begin by understanding how a piece will be held, viewed, or displayed, because that physical context shapes the design from the very first sketch. From there, I use layout, pacing, and material choices to guide attention and ensure the message lands clearly — whether it’s a brochure, a poster, or large-format signage.

My work bridges creative development and production execution. I’ve handled everything from editorial layouts and advertising to event graphics and packaging. But the real value comes from the details: managing color, preparing files for press, setting bleeds, and coordinating with vendors. I treat the production phase with the same care as the design, helping to ensure that the final piece looks exactly as intended when it hits the shelf.

Bell Helmets print advertisement layout featuring motocross rider photography, product branding, and editorial-style typography — Designed a flexible print advertising template system for Bell Helmets that allowed global distributors to easily update campaigns with new products and localized content. The project included production-ready layouts, adaptable visual frameworks, and DIY instructional guidelines to help maintain brand consistency across international markets and print applications.

Fundraising campaign graphic for North Idaho Violence Prevention Center featuring fashion-inspired typography and bold purple and green color blocks — Developed campaign imagery for a North Idaho Violence Prevention Center fundraising event, creating a bold visual system used across integrated promotional materials and event marketing. The work combined fashion-inspired typography, simplified graphic forms, and high-contrast color to help the campaign feel modern, approachable, and attention-grabbing across print applications.

Blackburn seasonal product catalog featuring illustrated cover artwork and editorial-style product layouts — Produced a seasonal product catalog for Blackburn that combined clean editorial layouts with custom illustrations from a local artist to create a more distinctive and lifestyle-driven brand experience. The catalog balanced detailed product information with storytelling, helping technical cycling products feel more connected to the culture and spirit of riding.

Print work demands flexibility and problem-solving. Budgets shift, timelines compress, formats change — I’ve learned to adapt the creative without losing the integrity of the design. Years of agency and in-house work taught me how to protect the idea while keeping the project moving.

The best print pieces keep working long after they’re delivered. They support campaigns, reinforce brand perception, and create the kind of physical interaction that digital simply can’t replicate. I believe in making print that gives businesses clarity and confidence in the real world, where tangible experiences still carry real weight.